{Commentators Script}
[Spoken calmly, deliberately, not too strong, but with just a touch of earnest feeling]
“When one picks a scene before them,”
[ Said in that knowing tone of the unknown explained ]
“Or when the scene picks them out to see,”
[Two - Second pause]
“It becomes a reflection where, “
[Slight hesitation ]
“one can see the things that are in the scene, again when looking at it in the upside down,”
[Faster Verbal Reading]
“and the right side up, all twirled,”
[Pause]
“but still, “
[Longer, deliberate pause, then pick up pace as it is moved throughout]
“to find the highest plane, amongst the lowest of the lows, but never pierce the earth or water, or sky or sun, or break that outer, (no inner) dimension, that keeps it flowing, “
[Louder, stronger tones, read very staccato as if counting]
“from one to the other,
flowing must be emphasized,
not moving,
in itself,
the wondrous meaning to look “
[Pause for dramatic effect, hold the breath and then speak]
“and to see.”
[Pull all emotion from the read, force these words out, and bury it here in the finale]
“AND GRAB FOR ONESELF,
THE INTENTIONAL RUSH OF AIR THAT MUST COME IN”,
[ As explanation, quieter]
“from not breathing”
[Breathe, think a moment then say as final explanation, almost in a whisper ]
“but for the time of the explanation”.
[ Cover silently, bow the head]
{Scene}
Ralph Peck
Photograph Sherri Stamps Davidson
댓글